286 Royalty-Free Audio Tracks for "Sub Woofer"

Another free one, hope you enjoyed! leave feedback telling me how i can improve!used: fl studio, purity, massive, gladiator, dr. Dre drum kit (freedrumkits. Net)-paynesbeats 4/1/15 12:07am.

Glitchy bassline made ni razor and some secret stuff.

A new beat. Free to use.

Bass shape made with a 3 osc. Fx filters: echo, reverb. "crisp" effects are my current asio bugs with gives a special effect.

This is a boomy break beat i made at 102bpm. It utilises a variety of individual free percussive hits, sequenced in free tracker program, jeskola buzz.

A sequence of beeps from vst instrument p8 at 120 bpm with some effects applied. Created for the continuum 4 project which can be found here:. Http://www. Freesound. Org/forum/dare-the-community/32704/.

Imaginary soundtrack for an underwater skirmish using mimeophon morphagene and erbe-verb from makenoise. Lots of torpedo, sonar, and dripping water and waiting. . . For the bang. . .

Psy trance bass d1from the demo here. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210518.

Another punchy deep bass from:. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210520.

Fingered brass sound that works in all daws.

This is an electric guitar loop i constructed in logic 9 using musiclab's realstrat and realeight. Nice plug-ins. Check out prominy if you are looking for even more realistic virtual instrument guitars. 106 bpm.

A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.

One-shot sample created from portable cassette tape recorders. Sound sources from broken cassettes, internal feedback modulation and tape speed manipulation. All original sounds. Suitable for drum rack/ drum machine sequencing.

Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.

This was recorded in my kitchen next to a railway, late at night when there was maintenance going on on the line. A heavy unit called a tamper went past, tamping down the ballast (stones) that go under the tracks. Lots of sub-bass as the whole building gets vibrated and at -04:29 a balanced teapot lid puts itself onto the teapot. Zoom h4n, 24/48 wav exported to flac in audacity.

Spt gives you a banjo that hits your subwoofer hard. Works in all daws.

A short section of electronic music created in logic with sculpture soft synth, mastered yet fully dynamic and ready to go. Enjoy! 16bit. Wav 44100.

Close-up recording of a pc fan with a zoom h-5. Post-processing done in cubase. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

108bpm trance loop for your creative productions, use as you wish. Sounds better downloaded. Remember to rate and follow for more ^_^.

Please take a look at my sketchfab profile to find 3d models :)https://sketchfab. Com/rickerson. Martines. Aparecido/models.

I created this sound using lmms ( linux multimedia studio ) using various ladspa effects and layered a few zynaddsubfx synths, with some automation to tame the fall off's by automating the volume faders. Enjoy :).

A sub ripped from a random file that was loaded into audacity.

Original description: very low key, down-tuned bass sound with long sustain and release/tail. Sounds good in higher pitches too. Came from two highly tweaked tom and click sounds in flstudio's edison.

I would love to see what you can do with this! send a link!.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel with lfo routed to certin parts sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

Cut the 8-bar loop to 1/8 pieces and you have patterns (kb , kbb , k_b_ , kbbb) to loop!. Psy trance kick bass drum loop 138bpm g#1from the demo here:. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210521loop.

An experimental bass sound that emulates a robotic sea monster. My portfolio - https://audiojungle. Net/user/malongbrothers/portfolio. Facebook - https://www. Facebook. Com/malongmusic/youtube - https://www. Youtube. Com/channel/ucturrmbvhmn2pglrf23pnzqsoundcloud - https://soundcloud. Com/michaelmalong/tracks. Contact: micmalong@gmail. Com.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

A bass a made using the monophonic synth in logic x. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

I simply generated a risset drum in audacity with all the default settings, except the frequency is 50. A really powerful sound, but only if you have a good sub woofer.

Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.